As an actor, Charles Lane isn't the inheritor of Charlie Chaplin's spirit. Steve Martin has already laid his claim to that. But it is Mr. Lane, as movie director, producer and writer, who has been obsessed with refitting Chaplin's Little Tramp in a contemporary way. In 1976, as a film student at the Purchase campus of the State University of New York, Mr. Lane shot `` A Place in Time, '' a 36-minute black-and-white film about a sketch artist, a man of the streets. Now, 13 years later, Mr. Lane has revived his Artist in a full-length movie called `` Sidewalk Stories, '' a poignant piece of work about a modern-day tramp. Of course, if the film contained dialogue, Mr. Lane's Artist would be called a homeless person. So would the Little Tramp, for that matter. I say `` contained dialogue '' because `` Sidewalk Stories '' isn't really silent at all. Composer Marc Marder, a college friend of Mr. Lane's who earns his living playing the double bass in classical music ensembles, has prepared an exciting, eclectic score that tells you what the characters are thinking and feeling far more precisely than intertitles, or even words, would. Much of Mr. Lane's film takes a highly romanticized view of life on the streets though probably no more romanticized than Mr. Chaplin's notion of the Tramp as the good-hearted free spirit. Filmed in lovely black and white by Bill Dill, the New York streets of `` Sidewalk Stories '' seem benign. On Wall Street men and women walk with great purpose, noticing one another only when they jostle for cabs. The Artist hangs out in Greenwich Village, on a strip of Sixth Avenue populated by jugglers, magicians and other good-natured hustlers. This clearly is not real life: no crack dealers, no dead-eyed men selling four-year-old copies of Cosmopolitan, no one curled up in a cardboard box. The Artist has his routine. He spends his days sketching passers-by, or trying to. At night he returns to the condemned building he calls home. His life, including his skirmishes with a competing sketch artist, seems carefree. He is his own man. Then, just as the Tramp is given a blind girl to cure in `` City Lights, '' the Artist is put in charge of returning a two-year-old waif Nicole Alysia, whose father has been murdered by thugs, to her mother. This cute child turns out to be a blessing and a curse. She gives the Artist a sense of purpose, but also alerts him to the serious inadequacy of his vagrant life. The beds at the Bowery Mission seem far drearier when he has to tuck a little girl into one of them at night. To further load the stakes, Mr. Lane dreamed up a highly improbable romance for the Artist, with a young woman who owns her own children's shop and who lives in an expensive high-rise apartment building. This story line might resonate more strongly if Mr. Lane had as strong a presence in front of the camera as he does behind it. Mr. Lane's final purpose isn't to glamorize vagabond existence. He has a point he wants to make, and he makes it, with a great deal of force. The movie ends with sound, the sound of street people talking, and there isn't anything whimsical or enviable in those rough, beaten voices. The French film maker Claude Chabrol has managed another kind of weird achievement with his `` Story of Women. '' He has made a harsh, brilliant picture -- one that's captivating -- about a character who, viewed from the most sympathetic angle, would seem disagreeable. Yet this woman, Marie-Louise Giraud, carries historical significance, both as one of the last women to be executed in France and as a symbol of the Vichy government's hypocrisy. While Vichy collaborated with the Germans during World War II in the deaths of thousands of Resistance fighters and Jews, its officials needed a diversionary symbolic traitor. Marie-Louise, a small-time abortionist, was their woman. She became an abortionist accidentally, and continued because it enabled her to buy jam, cocoa and other war-rationed goodies. She was untrained and, in one botched job killed a client. Her remorse was shallow and brief. Although she was kind and playful to her children, she was dreadful to her war-damaged husband; she openly brought her lover into their home. As presented by Mr. Chabrol, and played with thin-lipped intensity by Isabelle Huppert, Marie-Louise called Marie Latour in the film was not a nice person. But she didn't deserve to have her head chopped off. There is very little to recommend `` Old Gringo, '' a confused rendering of the Carlos Fuentes novel of the Mexican Revolution. Most of the picture is taken up with endless scenes of many people either fighting or eating and drinking to celebrate victory. I mention the picture only because many bad movies have a bright spot, and this one has Gregory Peck, in a marvelously loose and energetic portrayal of an old man who wants to die the way he wants to die. Video Tip: Before seeing `` Sidewalk Stories, '' take a look at `` City Lights, '' Chaplin's Tramp at his finest. TEXT As an actor , Charles Lane is n't the inheritor of Charlie Chaplin 's spirit . Steve Martin has already laid his claim to that . But it is Mr. Lane , as movie director , producer and writer , who has been obsessed with refitting Chaplin 's Little Tramp in a contemporary way . In 1976 , as a film student at the Purchase campus of the State University of New York , Mr. Lane shot `` A Place in Time , '' a 36-minute black-and-white film about a sketch artist , a man of the streets . Now , 13 years later , Mr. Lane has revived his Artist in a full-length movie called `` Sidewalk Stories , '' a poignant piece of work about a modern-day tramp . Of course , if the film contained dialogue , Mr. Lane 's Artist would be called a homeless person . So would the Little Tramp , for that matter . I say `` contained dialogue '' because `` Sidewalk Stories '' is n't really silent at all . Composer Marc Marder , a college friend of Mr. Lane 's who earns his living playing the double bass in classical music ensembles , has prepared an exciting , eclectic score that tells you what the characters are thinking and feeling far more precisely than intertitles , or even words , would . Much of Mr. Lane 's film takes a highly romanticized view of life on the streets though probably no more romanticized than Mr. Chaplin 's notion of the Tramp as the good-hearted free spirit . Filmed in lovely black and white by Bill Dill , the New York streets of `` Sidewalk Stories '' seem benign . On Wall Street men and women walk with great purpose , noticing one another only when they jostle for cabs . The Artist hangs out in Greenwich Village , on a strip of Sixth Avenue populated by jugglers , magicians and other good-natured hustlers . This clearly is not real life : no crack dealers , no dead-eyed men selling four-year-old copies of Cosmopolitan , no one curled up in a cardboard box . The Artist has his routine . He spends his days sketching passers-by , or trying to . At night he returns to the condemned building he calls home . His life , including his skirmishes with a competing sketch artist , seems carefree . He is his own man . Then , just as the Tramp is given a blind girl to cure in `` City Lights , '' the Artist is put in charge of returning a two-year-old waif Nicole Alysia , whose father has been murdered by thugs , to her mother . This cute child turns out to be a blessing and a curse . She gives the Artist a sense of purpose , but also alerts him to the serious inadequacy of his vagrant life . The beds at the Bowery Mission seem far drearier when he has to tuck a little girl into one of them at night . To further load the stakes , Mr. Lane dreamed up a highly improbable romance for the Artist , with a young woman who owns her own children 's shop and who lives in an expensive high-rise apartment building . This story line might resonate more strongly if Mr. Lane had as strong a presence in front of the camera as he does behind it . Mr. Lane 's final purpose is n't to glamorize vagabond existence . He has a point he wants to make , and he makes it , with a great deal of force . The movie ends with sound , the sound of street people talking , and there is n't anything whimsical or enviable in those rough , beaten voices . The French film maker Claude Chabrol has managed another kind of weird achievement with his `` Story of Women . '' He has made a harsh , brilliant picture -- one that 's captivating -- about a character who , viewed from the most sympathetic angle , would seem disagreeable . Yet this woman , Marie-Louise Giraud , carries historical significance , both as one of the last women to be executed in France and as a symbol of the Vichy government 's hypocrisy . While Vichy collaborated with the Germans during World War II in the deaths of thousands of Resistance fighters and Jews , its officials needed a diversionary symbolic traitor . Marie-Louise , a small-time abortionist , was their woman . She became an abortionist accidentally , and continued because it enabled her to buy jam , cocoa and other war-rationed goodies . She was untrained and , in one botched job killed a client . Her remorse was shallow and brief . Although she was kind and playful to her children , she was dreadful to her war-damaged husband ; she openly brought her lover into their home . As presented by Mr. Chabrol , and played with thin-lipped intensity by Isabelle Huppert , Marie-Louise called Marie Latour in the film was not a nice person . But she did n't deserve to have her head chopped off . There is very little to recommend `` Old Gringo , '' a confused rendering of the Carlos Fuentes novel of the Mexican Revolution . Most of the picture is taken up with endless scenes of many people either fighting or eating and drinking to celebrate victory . I mention the picture only because many bad movies have a bright spot , and this one has Gregory Peck , in a marvelously loose and energetic portrayal of an old man who wants to die the way he wants to die . Video Tip : Before seeing `` Sidewalk Stories , '' take a look at `` City Lights , '' Chaplin 's Tramp at his finest . 4~6 10~12 18~20~22~24~26~28~30 24~26 24~26~28~30 35~37 45 45~47 51 62~64 70~72 76 80 84 96 96~98~100~102 106~108~110 117 123~125~127~129~131~133~135~137~139~141~143~145~147~149 131~133~135~137~139~141~143~145~147~149 139~141~143~145~147~149 147~149 153~155 161~163~165~167 173~175~177~179~181~183~185~187~189~191~193~195~197~199 183~185~187~189~191~193~195~197~199 197~199 208~210~212 216~218 224~226 230~232~234 238~240~242~244~246~248~250~252~254~256~258~260~262~264 260~262~264 277~279 283 287~289 287~289~291~293 301~303~305 314~316~318 324~326 331 339 347~349 368~370~372~374~376~378~380~382~384~386~388 384~386 390 394 394~396 400~402~404 408~410~412 420~422~424~426~428 430 434 438~440 458 466 475~477~479~481~483~485 489~491~493~495~497~499~501~503~505 499~501~503~505 503~505 519~521 519~521~523~525~527~529~531 535~537~539~541 550~552~554~556 560~562 566~568~570~572~574~576~578~580~582 568~570 578~580 593~595 597 597~599~601 601 607~609 615~617 623 629 634~636 644~646 652~654~656~658~660 658~660 666 670 674~676~678 691~693 697~699~701 705~707~709 713~715~717~719 719 723~725 733~735~737 742~744 748 748~750 755 759 759~761 765 780 782 788~790~792 794 798 803 803~805 811 811~813~815~817~819~821~823 817~819~821~823 834 838 838~840~842 855~857 863~865~867 877~879 885~887 901~903~905~907~909 913 913~915 925 931 931~933 938~940~942 952~954 958~960 965 969~971 973~975~977~979 989 993~995~997~999~1001~1003~1005 1001 1001~1003~1005 1010~1012~1014~1016~1018~1020 1016~1018~1020 1030 1038~1040~1042 1046~1048~1050 1054 1065~1067 1071~1073 1079~1081~1083~1085 1089~1091 1097~1099~1101 1103 1107 1107~1109~1111~1113~1115 1119 1125~1127~1129~1131~1133 1138~1140~1142 1154~1156 1164~1166~1168~1170~1172~1174~1176 1174~1176 1180 1186 1191~1193 1191~1193~1195~1197~1199 1215~1217 1222 1226~1228 1230 1242 1246 1252~1254~1256~1258~1260 1265~1267 1277~1279~1281~1283~1285 1283~1285 1309~1311~1313~1315~1317 1322~1324~1326~1328~1330~1332 1338~1340~1342~1344~1346 1350 1354~1356~1358 1365 1371~1373~1375~1377~1379 1395~1397 1399 1407~1409~1411~1413 1428~1430~1432~1434~1436 1442~1444 1452~1454~1456~1458~1460~1462~1464~1466~1468~1470 1476~1478~1480~1482~1484~1486~1488~1490 1482~1484~1486~1488~1490 1484 1497 1503~1505 1509~1511~1513 1517~1519~1521~1523~1525~1527~1529~1531~1533 1527~1529 1527~1529~1531~1533 1533 1537 1537~1539 1543~1545~1547~1549 1554~1556~1558~1560~1562 1568 1568~1570 1575 1579~1581 1597 1603 1607 1611~1613~1615 1620 1632~1634~1636 1640~1642 1647 1647~1649 1664 1676 1676~1678 1682 1690 1690~1692~1694 1698 1704 1704~1706 1710 1710~1712 1723~1725 1735~1737 1741~1743 1747 1751~1753 1757~1759 1765~1767~1769 1776 1788 1788~1790 1811~1813~1815~1817~1819~1821~1823~1825~1827~1829~1831~1833~1835~1837~1839~1841~1843 1829~1831~1833~1835~1837~1839~1841~1843 1831~1833 1839~1841~1843 1848~1850~1852~1854 1864~1866~1868~1870~1872 1890 1895 1899~1901 1907~1909~1911 1915~1917~1919 1931~1933 1939~1941~1943~1945~1947~1949~1951~1953~1955~1957 1953~1955~1957 1959 1971 1982~1984 1994~1996 2012~2014 2020 2020~2022~2024 2028 2028~2030 an actor|3507 Charles Lane|3508,3516,3517,3518,3519,3520,3525,3529,3535,3542,3551,3644,3654,3657,3659,3662,3664,3665 the inheritor of Charlie Chaplin's spirit|3509,3515 Charlie Chaplin's spirit|3511 Charlie Chaplin|3510,3521,3567,3751,3753 Steve Martin|3512,3513 his claim|3514 Chaplin's Little Tramp|3522,3545,3617,3752,3754 a contemporary way|3523 1976|3524 the Purchase campus of the State University of New York|3526 the State University of New York|3527 New York|3528,3573 A Place in Time|3530,3531 a sketch artist|3532,3536,3543,3583,3597,3598,3600,3601,3605,3607,3609,3611,3614,3615,3616,3620,3631,3633,3635,3639,3646 the streets|3533,3566 13 years later|3534 Sidewalk Stories|3537,3538,3540,3549,3574,3668,3749 a modern-day tramp|3539 dialogue|3541,3548 a homeless person|3544 that matter|3546 I|3547,3739 Composer Marc Marder|3550,3552,3553 his living|3554 the double bass|3555 classical music ensembles|3556 an exciting, eclectic score|3557,3558 generic you|3559 the characters|3560 intertitles|3561 words|3562 Much of Mr. Lane's film|3563 a highly romanticized view of life on the streets|3564 life on the streets|3565 Mr. Chaplin's notion of the Tramp|3568 the good-hearted free spirit|3569 lovely black and white|3570 Bill Dill|3571 the New York streets of `` Sidewalk Stories ''|3572 Wall Street|3575 men|3576 men and women|3577,3580,3581 women|3578 great purpose|3579 cabs|3582 Greenwich Village|3584 a strip of Sixth Avenue|3585 Sixth Avenue|3586 jugglers|3587 magicians|3588 other good-natured hustlers|3589 real life|3590 no crack dealers|3591 no dead-eyed men|3592 four-year-old copies of Cosmopolitan|3593 Cosmopolitan|3594 no one|3595 a cardboard box|3596 his routine|3599 his days|3602 passers-by|3603 night|3604,3642 the condemned building|3606,3608 His life|3610,3636 his skirmishes with a competing sketch artist|3612 a competing sketch artist|3613 a blind girl|3618 City Lights|3619,3750 a two-year-old waif|3621,3622,3625,3627,3630,3640 whose father|3623 thugs|3624 her mother|3626 a blessing|3628 a curse|3629 a sense of purpose|3632 the serious inadequacy of his vagrant life|3634 The beds at the Bowery Mission|3637,3641 the Bowery Mission|3638 the stakes|3643 a highly improbable romance|3645 a young woman|3647,3648,3649,3651 her own children's shop|3650 an expensive high-rise apartment building|3652 This story line|3653 a presence in front of the camera|3655 the camera|3656,3658 Mr. Lane's final purpose|3660,3663,3666 vagabond existence|3661 a great deal of force|3667 the sound of street people|3669 street people|3670 those rough, beaten voices|3671 The French film maker Claude Chabrol|3672,3674,3676,3722 another kind of weird achievement|3673 Story of Women|3675,3677,3727 Marie-Louise Giraud|3678,3679,3681,3683,3684,3697,3699,3700,3702,3706,3709,3711,3712,3714,3715,3717,3718,3725,3726,3729,3730 the most sympathetic angle|3680 historical significance|3682 the Vichy government's hypocrisy|3685 Vichy|3686,3687,3694 the Germans|3688 World War II|3689 the deaths of thousands of Resistance fighters and Jews|3690 Resistance fighters|3691 Resistance fighters and Jews|3692 Jews|3693 its officials|3695,3698 a diversionary symbolic traitor|3696 an abortionist|3701 jam|3703 cocoa|3704 other war-rationed goodies|3705 one botched job|3707 a client|3708 Her remorse|3710 her children|3713 her war-damaged husband|3716 her lover|3719 Marie-Louise and husband|3720 their home|3721 thin-lipped intensity|3723 Isabelle Huppert|3724 a nice person|3728 her head|3731 Old Gringo|3732,3740 the Carlos Fuentes novel of the Mexican Revolution|3733 Carlos Fuentes|3734 the Mexican Revolution|3735 Most of the picture|3736 endless scenes of many people|3737 victory|3738 many bad movies|3741 a bright spot|3742 Gregory Peck|3743,3744,3745,3746,3747 Video Tip|3748 3507|MOD:DIST:4|NUC:DIST:6 3508|NUC:DIST:10~12 3509|MOD:DIST:18|NUC:DIST:20|MOD:DIST:22~24~26~28~30 3510|NUC:DIST:24~26 3511|MOD:DIST:24~26~28|NUC:DIST:30 3512|NUC:DIST:35~37 3513|NUC:DIST:45 3514|MOD:DESC:45|NUC:DIST:47 3515|NUC:DIST:51 3516|MOD:DIST:62|NUC:DIST:64 3517|MOD:DESC:70|NUC:DESC:72 3518|NUC:DESC:76 3519|NUC:DESC:80 3520|NUC:DIST:84 3521|NUC:DIST:96 3522|MOD:DESC:96~98|NUC:DIST:100~102 3523|MOD:DIST:106|MOD:DIST:108|NUC:DIST:110 3524|NUC:DIST:117 3525|MOD:DIST:123|MOD:DESC:125|NUC:DESC:127|MOD:DESC:129~131~133~135~137~139~141~143~145~147~149 3526|MOD:DIST:131|MOD:DIST:133|NUC:DIST:135|MOD:DIST:137~139~141~143~145~147~149 3527|MOD:DIST:139|NUC:DIST:141~143~145~147~149 3528|NUC:DIST:147~149 3529|MOD:DIST:153|NUC:DIST:155 3530|NUC:DIST:161~163~165~167 3531|MOD:DIST:173|MOD:DESC:175|MOD:DESC:177|NUC:DESC:179|MOD:DESC:181~183~185~187~189~191~193~195~197~199 3532|MOD:DIST:183|MOD:DIST:185|NUC:DIST:187|MOD:DESC:191~193~195~197~199 3533|MOD:DIST:197|NUC:DIST:199 3534|MOD:DIST:208|NUC:DIST:210|MOD:DIST:212 3535|MOD:DIST:216|NUC:DIST:218 3536|MOD:DESC:224|NUC:DIST:226 3537|MOD:DIST:230|MOD:DESC:232|NUC:DIST:234 3538|NUC:DIST:240~242|MOD:DESC:248~250~252~254~256~258~260~262~264 3539|MOD:DIST:260|MOD:DESC:262|NUC:DESC:264 3540|MOD:DIST:277|NUC:DIST:279 3541|NUC:DIST:283 3542|MOD:DIST:287|NUC:DIST:289 3543|MOD:DESC:287~289~291|NUC:DIST:293 3544|MOD:DIST:301|MOD:DIST:303|NUC:DIST:305 3545|MOD:DIST:314|NUC:DIST:316~318 3546|MOD:DIST:324|NUC:DIST:326 3547|NUC:DIST:331 3548|NUC:DIST:339 3549|NUC:DIST:347~349 3550|MOD:DESC:368|NUC:DIST:370~372|MOD:DESC:376~378~380~382~384~386~388 3551|MOD:DIST:384|NUC:DIST:386 3552|NUC:DIST:390 3553|NUC:DIST:394 3554|MOD:DESC:394|NUC:DIST:396 3555|MOD:DIST:400|MOD:DIST:402|NUC:DIST:404 3556|MOD:DIST:408~410|NUC:DIST:412 3557|MOD:DIST:420|MOD:DESC:422|MOD:DESC:426|NUC:DIST:428 3558|NUC:DIST:430 3559|NUC:DIST:434 3560|MOD:DIST:438|NUC:DIST:440 3561|NUC:DIST:458 3562|NUC:DIST:466 3563|MOD:DIST:475~477|MOD:DESC:479~481~483|NUC:DIST:485 3564|MOD:DIST:489|MOD:DESC:491~493|NUC:DIST:495|MOD:DIST:497~499~501~503~505 3565|NUC:DIST:499|MOD:DIST:501~503~505 3566|MOD:DIST:503|NUC:DIST:505 3567|MOD:DIST:519|NUC:DIST:521 3568|MOD:DIST:519~521~523|NUC:DIST:525|MOD:DIST:527~529~531 3569|MOD:DIST:535|MOD:DESC:537|MOD:DESC:539|NUC:DIST:541 3570|MOD:DESC:550|NUC:DIST:552~554~556 3571|NUC:DIST:560~562 3572|MOD:DIST:566|MOD:DIST:568~570|NUC:DIST:572|MOD:DIST:574~576~578~580~582 3573|NUC:DIST:568~570 3574|NUC:DIST:578~580 3575|NUC:DIST:593~595 3576|NUC:DIST:597 3577|NUC:DIST:597~599~601 3578|NUC:DIST:601 3579|MOD:DESC:607|NUC:DIST:609 3580|NUC:DIST:615~617 3581|NUC:DIST:623 3582|NUC:DIST:629 3583|MOD:DIST:634|NUC:DIST:636 3584|NUC:DIST:644~646 3585|MOD:DIST:652|NUC:DESC:654|MOD:DIST:656~658~660 3586|NUC:DIST:658~660 3587|NUC:DIST:666 3588|NUC:DIST:670 3589|MOD:DIST:674|MOD:DESC:676|NUC:DESC:678 3590|MOD:DESC:691|NUC:DIST:693 3591|MOD:DIST:697|MOD:DIST:699|NUC:DIST:701 3592|MOD:DIST:705|MOD:DESC:707|NUC:DIST:709 3593|MOD:DIST:713|NUC:DIST:715|MOD:DIST:717~719 3594|NUC:DIST:719 3595|MOD:DIST:723|NUC:DIST:725 3596|MOD:DIST:733|MOD:DESC:735|NUC:DIST:737 3597|MOD:DIST:742|NUC:DIST:744 3598|NUC:DIST:748 3599|MOD:DIST:748|NUC:DIST:750 3600|NUC:DIST:755 3601|NUC:DIST:759 3602|MOD:DESC:759|NUC:DIST:761 3603|NUC:DESC:765 3604|NUC:DIST:780 3605|NUC:DIST:782 3606|MOD:DIST:788|MOD:DESC:790|NUC:DIST:792 3607|NUC:DIST:794 3608|NUC:DESC:798 3609|NUC:DIST:803 3610|MOD:DIST:803|NUC:DIST:805 3611|NUC:DIST:811 3612|MOD:DESC:811|NUC:DESC:813|MOD:DIST:815~817~819~821~823 3613|MOD:DIST:817|MOD:DESC:819|MOD:DIST:821|NUC:DIST:823 3614|NUC:DIST:834 3615|NUC:DIST:838 3616|MOD:DIST:838|MOD:DIST:840|NUC:DESC:842 3617|MOD:DIST:855|NUC:DIST:857 3618|MOD:DIST:863|MOD:DESC:865|NUC:DIST:867 3619|NUC:DIST:877~879 3620|MOD:DIST:885|NUC:DIST:887 3621|MOD:DIST:901|MOD:DESC:903|MOD:DESC:905|NUC:DIST:907~909 3622|NUC:DIST:913 3623|MOD:DIST:913|NUC:DIST:915 3624|NUC:DESC:925 3625|NUC:DIST:931 3626|MOD:DIST:931|NUC:DIST:933 3627|MOD:DIST:938|MOD:DESC:940|NUC:DIST:942 3628|MOD:DIST:952|NUC:DESC:954 3629|MOD:DIST:958|NUC:DESC:960 3630|NUC:DIST:965 3631|MOD:DIST:969|NUC:DIST:971 3632|MOD:DIST:973|MOD:DESC:975~977|NUC:DIST:979 3633|NUC:DIST:989 3634|MOD:DIST:993|MOD:DESC:995|NUC:DIST:997|MOD:DIST:999~1001~1003~1005 3635|NUC:DIST:1001 3636|MOD:DIST:1001|MOD:DESC:1003|NUC:DIST:1005 3637|MOD:DIST:1010|NUC:DIST:1012|MOD:DIST:1014~1016~1018~1020 3638|MOD:DIST:1016|NUC:DIST:1018~1020 3639|NUC:DIST:1030 3640|MOD:DIST:1038|MOD:DESC:1040|NUC:DIST:1042 3641|NUC:DIST:1046|MOD:DESC:1048~1050 3642|NUC:DIST:1054 3643|MOD:DIST:1065|NUC:DIST:1067 3644|MOD:DIST:1071|NUC:DIST:1073 3645|MOD:DIST:1079|MOD:DESC:1081~1083|NUC:DIST:1085 3646|MOD:DIST:1089|NUC:DIST:1091 3647|MOD:DIST:1097|MOD:DESC:1099|NUC:DIST:1101 3648|NUC:DIST:1103 3649|NUC:DIST:1107 3650|MOD:DESC:1107|MOD:DESC:1109|MOD:DESC:1111~1113|NUC:DIST:1115 3651|NUC:DIST:1119 3652|MOD:DIST:1125|MOD:DESC:1127|MOD:DESC:1129|MOD:DIST:1131|NUC:DIST:1133 3653|MOD:DIST:1138|MOD:DIST:1140|NUC:DIST:1142 3654|MOD:DIST:1154|NUC:DIST:1156 3655|MOD:DIST:1164|NUC:DIST:1166|MOD:DIST:1168~1170~1172~1174~1176 3656|MOD:DIST:1174|NUC:DIST:1176 3657|NUC:DIST:1180 3658|NUC:DIST:1186 3659|MOD:DIST:1191|NUC:DIST:1193 3660|MOD:DESC:1191~1193~1195|MOD:DESC:1197|NUC:DIST:1199 3661|MOD:DESC:1215|NUC:DESC:1217 3662|NUC:DIST:1222 3663|MOD:DIST:1226|NUC:DIST:1228 3664|NUC:DIST:1230 3665|NUC:DIST:1242 3666|NUC:DIST:1246 3667|MOD:DIST:1252|MOD:DESC:1254~1256~1258|NUC:DIST:1260 3668|MOD:DIST:1265|NUC:DIST:1267 3669|MOD:DIST:1277|NUC:DIST:1279|MOD:DIST:1281~1283~1285 3670|MOD:DIST:1283|NUC:DIST:1285 3671|MOD:DESC:1309|MOD:DESC:1311|MOD:DESC:1315|NUC:DIST:1317 3672|MOD:DIST:1322|MOD:DESC:1324|MOD:DESC:1326~1328|NUC:DIST:1330~1332 3673|MOD:DIST:1338|MOD:DESC:1340~1342|MOD:DESC:1344|NUC:DIST:1346 3674|NUC:DIST:1350 3675|NUC:DIST:1354~1356~1358 3676|NUC:DIST:1365 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